Scholarships at LAAFA

Current full-time and extension students are welcome to enter the  competition to receive a Contemporary Representational Art Scholarship for the Fall 2012 quarter.  Contemporary Representational Art includes figures, still life, and landscapes. Please click on links above for more information on requirements for each of these scholarships.  Deadline is August 15th!

 

 

Nathan Fowkes | August 18th

For the Portrait Drawing in Charcoal Workshop, Nathan will present a slideshow that will take you through the principles you need to know to successfully draw a portrait from life.  He will do a full demonstration in charcoal, then turn the time over to you to draw from a live costumed model with him guiding you as your coach.

Full-Day Workshop $175 – Click here to Register.

Half-Day Workshop $100 – Click here to Register.

If you are unable to attend the workshop, please view his “Drawing the Portrait from Life” video, due out by September 15th.  Pre-order for the best pricing.

We would like to take this opportunity to thank everyone for their help and patience while we created a new website!  All of your feedback and suggestions were very important to us and we hope you like the improvements.  In addition, we will be adding some additional features shortly.  Enjoy browsing our art school online and we hope to see you in person soon!

 

“Muscle Memory”

During weeks 6 through 9 in Ecorche with Rey Bustos at LAAFA we added “musculature” to our ecorches. Using “chocolate” Sculpey, we crafted each muscle according to helpful guidelines Rey provided for us.

 

With Rey’s detailed drawings and demonstrations to lead us in the right direction, we worked our way up the body, all the way from lower leg, through the abdomen and upper body to the facial muscles.

 

Stay tuned for the exciting conclusion of Ecorche with Rey Bustos at LAAFA in our upcoming Week 10 blog post.

 

 

Summer is here and things are heating up at LAAFA!

(Just an expression, folks – LAAFA’s classrooms are climate-controlled. )

2012 Summer Open House Photos

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On Saturday, June 2, LAAFA’s Summer Open House gave prospective and current students a chance to socialize and to enjoy demonstrations by Sharon Weaver and Vadim Zang

Sharon Weaver

Vadim Zanginian

Starting in early July, Sharon will be teaching Plein Air/ Landscaping Painting on Fridays.

Vadim’s Summer classes include Head/Figure Painting on Mondays and Tonal Figure Drawing on Thursdays.

 – Books Needed for Art Library

Please consider donating your art books to LAAFA’s art library – coming this fall!

In preparation, we are having a book drive. From now until July 1st, donate your art books to receive a raffle ticket for FREE summer classes! Each book donated gets you one raffle ticket. Raffle winners will be announced July 2nd.

You can drop off your books at the LAAFA office during business hours:

Mondays -Thursdays 10 a.m. to 7 p.m.
Fridays 10 a.m. to 5 p.m.
Saturdays – Sundays 9 a.m. to 10 a.m.

Raffle Items:

  • One Free Instructed 8-week class (select classes)
  • One Free Uninstructed Workshop Pass
  • Three Free One Day Instructed class (select classes)

One of the most transformational parts of Ecorche with Rey Bustos at LAAFA was spray painting the baked ecorche.  I was careful to mask the hand and foot that I wanted to remain the fleshy color of Sculpey with aluminum foil before painting.  You can see below how a light coat of off-white spray paint really shows off all the sculpting work that goes into the skeletal portion of the ecorche.

In class, Rey had a “varnishing station’ set up for us. We lightly brushed varnish over our spray painted ecorches. We only applied the varnish to the left side, the side that will remain as exposed skeleton. We left the right side coated with spray paint only, so the clay we apply to represent muscles will stick. The effect of the varnish over the spray paint is fantastic- don’t you think?

Ramon Hurtado is teaching a long pose figure drawing class at LAAFA this Summer. The wonderful drawings below show how Ramon works from start to finish. Following the tradition of 19th century academic drawing, the class will focus on creating long pose drawings that capture the specific character of the model. The class will combine knowledge of 3D forms, anatomy, gesture, shadow patterns, and 2D measuring techniques to create drawings that reveal the construction of the figure through the use of tone. Learn more about the class and register here.

I can’t believe we have already reached the halfway point- week 5 in Ecorche with Rey Bustos at LAAFA!  Class number five focused largely on process, as this week’s tasks were to complete the skeletal body and “bake” the ecorche to permanently harden the Sculpey.

In class, Rey demonstrated how to finish the delicate bones of the lower arm, the radius and the ulna.  Rey recommended stringing the tiny finger bones onto the wire like beads. This simple technique creates a sophisticated skeletal model of the
human hand.

For the fleshed out right hand, Rey drew us a diagram of the palm. He encouraged us to make our ecorches’ hands expressive, and to add creases, or flexure lines, for a lifelike effect.  Everyone had more than enough armature wire to support the fingers on each hand.
We just cut off what we didn’t need after
completing both hands.

The next lecture topic was Rey’s favorite bone: the scapula.  I have to admit, floating like wings on the human back, scapulae are beautiful bones.  Rey showed us how to mold the organic protrusions that define the scapulae. He also showed us how to attach the left scapula so that only the socket, or glenoid fossa rests against the head of the humerus. As you can see, this was a well-documented moment of the class. 😉

Back at home, I carefully followed the written instructions Rey gave us on baking our ecorches. Behold! Five weeks of sculpting permanently set in polymer clay! Now, before adding the muscles, all I have to do is paint and varnish the bones.
I’ll post an update on the painting and finishing process soon!

Students in Rey Bustos’s Ecorche class at LAAFA started week 3 by covering the wire and nails holding their ecorche upright with clay. This clay was the beginning of the ground our ecorches would come to stand on… after we took care of the small matter of sculpting the 3 bones of the lower leg and the 26 bones of the foot!  Fortunately, Rey’s design of the ecorche “fleshes out” the right foot, so in all we only had 33 bones to sculpt.  Now that class is over, and I’ve completed my homework, I can’t believe how much we learned and got done this week!  Rey kept his lecture brief so we would have time to get started on sculpting those 33 bones!

Rey advised that we start with the feet, and then work our way up to the tibia, fibula, and patella that make up the lower leg.  To create the bones of the skeletal foot, Rey advised that we use top-view printed anatomical guides and “draw” the bones into our clay. The method really worked!

Photo by Ryan Patterson

Soon we had our skeletal left feet completed.  Rey demonstrated how to create toes, toenails, and tendons for a lifelike look on the right foot.  As a final touch, he added red calluses and blue-green veins in watercolor paint.

Rey gave a final demonstration to show us how to “cook” the two small bones of the lower leg in hot water.  The fibula is a very thin bone that we will eventually wrap in “muscle” on our ecorches, so we used a wire for support.  The patella (kneecap), however, is not connected to the skeleton by any bony structure, so we used a wire to show the patella’s “floating” position.  Check out my ecorche’s little left fiblua and patella enjoying their hot bath- aren’t they cute? 😉

Ta-dah! Here is my ecorche’s newly completed lower skeleton! Check back next week to see what we learn in week 4!

On Saturday, May 19th, Nathan Fowkes has a one-day workshop – Composition: Design for Dynamic Picture-Making.  This intensive workshop will cover fundamentals of effective picture-making, creating mood and environment, and organizing complex scenes.  The workshop includes a painting demonstration by Nathan, as well as time for student painting with instructor feedback. Discover Nathan Fowkes’s impressive credentials on his blog.  Register here.

May 25th-27th master illustrator and instructor Marshall Vandruff presents a crash-course in the classic approach to draftsmanship and animal anatomy.  The workshop will teach students to draw animals from their imagination as well as to interpret visual information when drawing animals from life. Recommended pre-workshop reading is on Marshall’s website.  Register here.

 

The hip-bone’s connected to the thigh-bone….

Week 2 of Rey Bustos’s Ecorche/ 3D Anatomy class at LAAFA introduced the two major bones of the lower body: the pelvis and the femur.

To simplify the daunting task of rendering the pelvis in 3D, Rey started with a less-intimidating concept – a square.  Two squares, actually, drawn together in a rectangle. You can see this rectangle on the blackboard in the photo at right.  So far, so good.

Rey then used the framework of these squares to guide students in drawing the pelvis in 2D.  We drew our own maps of anatomical terrain most of us had only previously used… well… to sit on.  Keeping up with the lecture and Rey’s detailed drawing (left) kept us busy!  We learned the five “landmarks” of the pelvis to look for on a live model. In addition, we learned how even the invisible bony bumps under layers of muscle and soft tissue affect the visible parts of the human body.  Good stuff!

When we were ready to start adding the clay “skeleton” to our wire armature, Rey lent a hand and gave a brief demo to get us started.

Then we were on our own!

Moving on to the femur, Rey gave another brief lecture. Since we all now had at least part of the pelvis completed, Rey’s approach to the femur emphasized its connectedness to the pelvis and the rest of the skeleton.  Again starting with a simple concept, Rey showed us how to form the head of the femur from a clay “worm” wrapped around our wire armature.  Rey left us on our own to work for the rest of class, but was always on hand to answer questions and provide help.

I can hardly wait for tomorrow’s class! Here’s my completed Week 2 homework.

Rey Bustos is the wonderful kind of teacher who makes you feel like you are getting your money’s worth out of his class – down to every last penny! Last Sunday, April 15th, Rey’s Ecorche/ 3D Anatomy class at LAAFA started with students arriving 30 to 60 minutes BEFORE the start of class so that Rey could help us all get the main portion of our armature wire bent into shape.

Rey expertly turned yard after yard of straight wire into the basic frame for a 16″ replica of a human statuette or ecorche. In French, ecorche means “flayed” and refers to the fact that a finished ecorche sculpture looks like it has had the skin removed so you can see the muscles and bones.

Our ecorches were only just beginning to take shape. All along the way, Rey guided us in measuring, bending, and wrapping our wire.

After the wire supports for the arms and legs were bent into place, the next task was bending wire to support the clay ribcage we will be building in future classes.  Rey guided students through the first four ribs and assigned the remaining eight as homework for students who couldn’t get them done in class.

Rey provided illustrations of the human ribcage from all angles to guide our wire wrapping and bending.  Even though I thought I knew what a ribcage looked like, looking at the diagrams showed me the human ribcage in more detail that I imagined it could possibly contain.

I realized that there is a big gap between knowing enough to merely identify a ribcage, and the intimate understanding that comes from a tactile experience of its form.  Like an eager student aboard Ms. Frizzle’s Magic School Bus, I can’t wait to see what part of the body Rey will introduce us to next week!

We finished class by securing our wire armatures to 12″ wooden boards with double pointed tacks.  Students with time to spare were able to start rolling their Super Sculpey into sheets to allow it to firm up a bit for next week’s class.

Week 1 of Ecorche/ 3D Anatomy was a lot of work, but the results were satisfying.

We went from this:

        To this:

           
I’ll be posting every week as the Spring 2012 Ecorche/ 3D Anatomy class with Rey Bustos progresses, so stay tuned!