This class is designed for painters of all levels. We will concentrate on the unique indoor with candlelight environment. There will be lots of discussions on volume and color harmonies and we will look at art historical examples such as Caravaggio, Rembrandt, Sorolla, Sargent, and Soviet Impressionist. We will start by painting color studies to resolve composition and color harmony, followed by a black and white sketch to work out graphic components; placement, composition, separation of light from shadow and we will analyze the three dimensional quality of the drawing. There will be many demonstrations and examples. We will be working from photo references and we will use other mediums such as watercolor, pastels and acrylic.
Part One: Color study from photo reference
Lecture on the use of warm indoor lighting throughout art history. Discussion on choosing a photo reference for painting and positioning the model for the best composition.
Homework: 5 best photo references to be used for future painting.
Supplies list: cup of coffee and a phone
Part Two: Color study
Demonstration of a color study from a photo reference.
Homework: 2 color studies from your reference
Supplies list: canvas 8×10-9×12, regular color palette
Part Three: Graphic sketch
We will go over graphic components; placement, composition, separation of light from shadow, three dimensional quality of the drawing. Drawing demonstration.
Homework: Finish drawing based on the photo reference.
Supplies list: Bristol paper 12×16 or similar, graphite pencils, eraser.
Part Four: Laying in final painting
Demonstration on drawing on canvas and laying initial colors based on the color study and photo reference.
Homework : Lay in color on final portrait painting assignment.
Supplies list: regular painting palette canvas size may vary.
Part Five: Working on volume and details
We will discuss details of the head and hands.
Homework: Continue final painting.
Part Six: Completion of portrait painting assignment
We will discuss working on details and harmonizing our painting through color, value, and composition.
Homework: Finishing large canvas assignment.
Part Seven: Working on volume and details
In this class, we will discuss details.
Homework: Continue final painting.
Part Eight: Completion of final painting assignment
We will discuss working on details and harmonizing our painting through color, value, and composition.
A virtual room link will be sent to you up to 24 hours prior to your class start date.
Complimentary 10-day access to each recorded session. Recordings are emailed the day after each live session.
Other mediums are welcome. Please continue below for the oil painting supply list.
Supply List for Oil Painting:
Brushes – sable or bristle, filbert, any brand will be good. I personally like Robert Simmons bristle.
size #2 (2 brushes)
size #4 (2 brushes)
size #6 (2 brushes)
size #8 (2 brushes)
size #12 or #14 (1 brush) fan brush; small and a large (optional, but very useful)
Paints – Gamblin paints or any other professional brand.
Titanium white (large tube)
Yellow ochre
Cadmium yellow or similar
Indian yellow
Alizarin crimson or magenta
Cadmium red light
Venetian red or English red
Viridian green or similar
Burned umber
Ivory black
Ultramarine blue
Turquoise
Gamsol
Damar varnish (liquid not a spray)
Aluminum Palette Cup
Palette (no paper please, solid palette; glass or wood)
Vine charcoal
Canvas – (based on your chosen photo reference)
3 canvas boards 8″x10″
2 canvas size 16″x20″
This online course requires the use of the Zoom program. You will need a computer, tablet or smartphone (with camera preferred) and internet. To download the program, click on the following link: zoom.us/download.
A Zoom meeting link will be sent to you up to 24 hours prior to your class start date. If you need help with Zoom, please let us know and we will schedule a short tutorial for you prior to your class.
Leon Okun was born on February 6, 1980 in a small town in Siberia, Russia. In 1993 Leon’s family immigrated to San Diego. His interest in figurative art developed while taking art classes at Mesa Community College, where he was given complete freedom of exploration. This freedom led him to a profound interest in figurative drawing and propelled Leon to pursue the kind of program that would satisfy his passion for fine art.
Leon’s educational art journey began at Watts Atelier (a small private art school with an emphasis on the traditional fine art), where he studied for two and a half years. There he met Ron Lemen, an art instructor at the Los Angeles Academy of Figurative Art. To this day, Leon gives Ron Lemen credit for inspiring him to believe in himself and to set the highest possible standards for personal artwork.
In 2003, Leon returned to Russia to explore Russian art schools and museums. Painters like I. E. Repin, V. Serov, and V. Surikov captured his interest and helped him develop the best possible vision any artist can have: To become a serious painter.
It was then, in 2003, that Leon decided to apply to the Repin Academy of Arts in St. Petersburg. Repin Academy of Arts is a two hundred and fifty-seven year old historic institution. It has been the birthplace of the most famous Russian painters. It was clear to Leon that if he wanted for himself the best art education in the world, than it would have to be the Repin Academy of Arts.
After two years of intense preparation Leon got accepted to the Academy, where he studied for six years and received both a Bachelor’s Degree of Fine Art and a Masters Degrees in Fine Arts.
In 2011, Leon returned to San Diego and immersed himself into teaching, sharing with his students the wonderful education he had received at the Academy of Arts in St. Petersburg.
Successful in his own right as a Artist and as a Teacher, Leon now inspires his students to search our their dreams and to strive to achieve their own personal best.
Leon is a member of the California Art Club, the American Portrait Society, the American Impressionist society, and the Plein Air Painters of San Diego.
Leon has participated in and won numerous art competitions in San Diego and throughout Southern California. His style of painting is based on the traditional European classical art, and color pallet that so many Russian painters are famous for.
Most recently Leon had several successful exhibitions that drew a great deal of interest in the art community.
Course Changes or Cancellations
LAAFA reserves the right to cancel any class/workshop, limit workshop size, change class/workshop times or substitute instructors for those listed in the schedule.
If a class/workshop is cancelled; students may transfer to another class/workshop, use credit on artschoolvideos.com, keep credit on file or be issued a full refund.
Refunds and Transfers
All online classes and workshops are non-refundable.
Absences
There are no make-ups available for online courses. Students are emailed a 10-day access to each recorded session, made available the next day after the live session.
Information
Campus Address
16926 Saticoy Street
Van Nuys, CA 91406
(818) 708-9232
contactus@laafa.edu
Business Hours
Phone Hours: Mon-Fri, 10:00 AM – 5:00 PM
Main Office Hours: Mon-Fri, 10:00 AM – 5:00 PM