This studio course uses different methodologies to introduce drawing the human figure. Bridgeman, Bammes and Ruskin, among others will be the basis of our studies. By using photo references and works from the old masters, we will investigate the geometry of the human form, how it fits into space using the rules of perspective and value and form.
We will start by approaching the figure in linear form with the idea of simplification back to geometry: using drawing as a thinking process. Then introduce light and value to describe volume and form on the figure. Students will leave the course with a basic understanding of human anatomy, perspective and effects of light and shadow on the human figure. In class lectures and discussions will be followed by homework exercises and recommended readings.
A virtual room link will be sent to you up to 24 hours prior to your class start date. A short tutorial will be given prior to the live class starting.
Unable to attend a sessions? No worries, ALL students will have access to watch the recorded session for 7-days. Recording available 1 day after live session.
▪ CarbOthello Pastel Pencils; Caput Muurtum RED (or Sanguine) 645 and Titanium White 100 ▪ Strathmore Charcoal Paper/Velvet Grey 19×25 (or your preference 11×14” grey toned paper)
▪ 16×20” Drawing Pad
▪ 16×20” Newsprint Pad
▪ Xacto Knife
▪ kneaded eraser
▪ Sand pad
▪ Artist chamois
▪ Workable fixative
Arnheim, Rudolf. 1969. Visual Thinking. University of Calif. Berkeley
Bachelard, Gaston. 1964. The Poetics of Space. Beacon Press
Bammes, Gottfried. The Artist’s Guide to Human Anatomy.
Bartschi, Willy A.; Linear Perspective; Van Norstand Reinhold
Chang, F. D.K.; Design Drawing. 1998, Wiley.
Durer, Albrecht. The Human Figure, the complete Dresden Sketchbook. Edited by Walter Strauss. Dover.
Kandinsky, Wassily. 1947. Point and line to Plane. Dover
Kramer, Jack N.; Human Anatomy & Figure Drawing, The Integration of Structure and Perspective.
Peck, Stephen Rogers. 1985. Atlas of Human Anatomy for the Artist. Oxford University Press, London.
Ruskin, John. 1971. The Elements of Drawing. Dover
Renée has lived between the United States and Paris, France studying fine art and art history. She graduated from the American University of Paris with a BA in Art History, and has her MFA from the Academy of Art in San Francisco. She now resides in NYC and teaches courses at the Art Students League and Chelsea Classical School of Art.
Renée explores ubiquitous themes through the eyes of a millennial such as identity, feminism, death, equality and addiction, making her work not a quotidian narrative but rather a relevant and relatable story. As a professional female artist and curator, Renée feels the need to express the American (and seemingly global) zeitgeist and the expanding diaspora of the world. Grounded in realism and figurative narratives, her works are highly conceptual; thoughtful imagery and symbolism with subtle messages often described as “surreal” and “fantasy”. In June 2016 she was awarded a grant by The Ringholz Foundation to fund her latest painting project and invited to the Bakehouse Art Complex Residency Program during Miami Art Basel. She was also a 2018 Stobart Foundation Grant recipient.
Renée has exhibited throughout the United States and France, including Paris, London, New York City, Boston, Chicago, and Los Angeles, among others. She was invited to join the Copley Society of Boston and the Salmagundi Club of NYC. Most recently, Kent Twitchell, awarded her the “Patron Award” at the Brand Art Center’s 43rd annual juried exhibition in Los Angeles, CA. He commented that her work shows “devotion to the picture plane; she is not trying to jump on anyone’s bandwagon” and “sincerity”, making her work valuable and unique in the art world.
LAAFA reserves the right to cancel any class/workshop, limit workshop size, change workshop times or substitute instructors for those listed in the schedule. If a workshop is cancelled; students may transfer to another workshop, use credit on artschoolvideos.com, keep credit on file or be issued a full refund.
All online classes and workshops are non-refundable, non-transferable and no makeups are available. A 7-day recording is provided the day after the online live class. No recording extensions are permitted.
16926 Saticoy Street
Van Nuys, CA 91406
Phone Hours: Mon-Fri, 9:30 AM-5:30 PM
Main Office: Mon-Fri, 9:30 AM-5:30 PM